
The train entered the station, and Passepartout jumping out first, was followed by Mr. Fogg, who assisted his fair companion to descend. Phileas Fogg intended to proceed at once to the Hong Kong steamer, in order to get Aouda comfortably settled for the voyage. He was unwilling to leave her while they were still on dangerous ground.
Just as he was leaving the station a policeman came up to him, and said, “Mr. Phileas Fogg?”
“I am he.”
“Is this man your servant?” added the policeman, pointing to Passepartout.
“Yes.”
“Be so good, both of you, as to follow me.”
Mr. Fogg betrayed no surprise whatever. The policeman was a representative of the law, and law is sacred to an Englishman. Passepartout tried to reason about the matter, but the policeman tapped him with his stick, and Mr. Fogg made him a signal to obey.
“May this young lady go with us?” asked he.
“She may,” replied the policeman.
Mr. Fogg, Aouda, and Passepartout were conducted to a palkigahri, a sort of four-wheeled carriage, drawn by two horses, in which they took their places and were driven away. No one spoke during the twenty minutes which elapsed before they reached their destination. They first passed through the “black town,” with its narrow streets, its miserable, dirty huts, and squalid population; then through the “European Reference town,” which presented a relief in its bright brick mansions, shaded by coconut-trees and bristling with masts, where, although it was early morning, elegantly dressed horsemen and handsome equipages were passing back and forth.
The carriage stopped before a modest-looking house, which, however, did not have the appearance of a private mansion. The policeman having requested his prisoners for so, truly, they might be called-to descend, conducted them into a room with barred windows, and said: “You will appear before Judge Obadiah at half-past eight.”
He then retired, and closed the door.
“Why, we are prisoners!” exclaimed Passepartout, falling into a chair.
Aouda, with an emotion she tried to conceal, said to Mr. Fogg: “Sir, you must leave me to my fate! It is on my account that you receive this treatment, it is for having saved me!”
Phileas Fogg contented himself with saying that it was impossible. It was quite unlikely that he should be arrested for preventing a suttee. The complainants would not dare present themselves with such a charge. There was some mistake. Moreover, he would not, in any event, abandon Aouda, but would escort her to Hong Kong.
“But the steamer leaves at noon!” observed Passepartout, nervously.
“We shall be on board by noon,” replied his master, placidly.
It was said so positively that Passepartout could not help muttering to himself, “Parbleu that’s certain! Before noon we shall be on board.” But he was by no means reassured.
At half-past eight the door opened, the policeman appeared, and, requesting them to follow him, led the way to an adjoining hall. It was evidently a court-room, and a crowd of Europeans and natives already occupied the rear of the apartment.
But, besides the Feegeeans, Tongatobooarrs, Erromanggoans, Pannangians, and Brighggians, and, besides the wild specimens of the whaling-craft which unheeded reel about the streets, you will see other sights still more curious, certainly more comical. There weekly arrive in this town scores of green Vermonters and New Hampshire men, all athirst for gain and glory in the fishery. They are mostly young, of stalwart frames; fellows who have felled forests, and now seek to drop the axe and snatch the whale-lance. Many are as green as the Green Mountains whence they came. In some things you would think them but a few hours old. Look there! that chap strutting round the corner. He wears a beaver hat and swallow-tailed coat, girdled with a sailor-belt and a sheath-knife. Here comes another with a sou’-wester and a bombazine cloak.
No town-bred dandy will compare with a country-bred one—I mean a downright bumpkin dandy—a fellow that, in the dog-days, will mow his two acres in buckskin gloves for fear of tanning his hands. Now when a country dandy like this takes it into his head to make a distinguished reputation, and joins the great whale-fishery, you should see the comical things he does upon reaching the seaport. In bespeaking his sea-outfit, he orders bell-buttons to his waistcoats; straps to his canvas trowsers. Ah, poor Hay-Seed! how bitterly will burst those straps in the first howling gale, when thou art driven, straps, buttons, and all, down the throat of the tempest.
But think not that this famous town has only harpooneers, cannibals, and bumpkins to show her visitors. Not at all. Still New Bedford is a queer place. Had it not been for us whalemen, that tract of land would this day perhaps have been in as howling condition as the coast of Labrador. As it is, parts of her back country are enough to frighten one, they look so bony. The town itself is perhaps the dearest place to live in, in all New England. It is a land of oil, true enough: but not like Canaan; a land, also, of corn and wine. The streets do not run with milk; nor in the spring-time do they pave them with fresh eggs. Yet, in spite of this, nowhere in all America will you find more patrician-like houses; parks and gardens more opulent, than in New Bedford. Whence came they? how planted upon this once scraggy scoria of a country?
Go and gaze upon the iron emblematical harpoons round yonder lofty mansion, and your question will be answered. Yes; all these brave houses and flowery gardens came from the Atlantic, Pacific, and Indian oceans. One and all, they were harpooned and dragged up hither from the bottom of the sea. Can Herr Alexander perform a feat like that?
In New Bedford, fathers, they say, give whales for dowers to their daughters, and portion off their nieces with a few porpoises a-piece. You must go to New Bedford to see a brilliant wedding; for, they say, they have reservoirs of oil in every house, and every night recklessly burn their lengths in spermaceti candles.
In summer time, the town is sweet to see; full of fine maples—long avenues of green and gold. And in August, high in air, the beautiful and bountiful horse-chestnuts, candelabra-wise, proffer the passer-by their tapering upright cones of congregated blossoms. So omnipotent is art; which in many a district of New Bedford has superinduced bright terraces ot flowers upon the barren refuse rocks thrown aside at creation’s final day.